These can generally be divided into two categories: file compatibility and synchronisation. Prepare, Sync, Score!ĭespite the fact that working with a local video file is a much simpler affair than keeping your sequencer in check with some old video deck, there are still some important considerations to keep in mind before embarking on a trouble-free creative experience. But before we delve any deeper into the exciting functionality that Logic provides, let's look at the necessary preparation for dealing with picture. Add to these the Arrange window Drag Modes, flexible Movie window display options and powerful editing features, and most scoring tasks can be handled with ease. And with the Marker and Beat-mapping tracks combined alongside it, simultaneous composition and spotting can be effectively carried out within the very same project. It's fair to say that most composers and sound designers nowadays deal with video clips rather than external media, so the addition of a Video track to Logic's Global Track Components creates a direct bridge to accurate audio production for most current video practices. And this is definitely the case when working with picture. Since their introduction in Logic 7, Global Track Components have provided alternative yet much more efficient ways of dealing with pre-existing functionality, be it tempo-related or otherwise. We explore how these features can enhance workflow and offer some tips for making the most of your audio-visual experience. Working to moving images in Logic is now easier than ever, given its improved editing tools and Global Track functionality.

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